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, by Elizabeth Thomson Dixya Bhattarai
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Product details
File Size: 8193 KB
Print Length: 186 pages
Simultaneous Device Usage: Unlimited
Publisher: Rockridge Press (April 17, 2018)
Publication Date: April 17, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B07BQK9XVB
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Got 3 cook books returned 2 but this is a keeper. I am a vegetarian and love love love the simple pantry ingredients, plus healthy no fuss subs can be easily done. Nutrition labels, yeah. No yuky fake sweetners. Trying the banana muffins this weekend. Will add to review when I finish. My picky meat eating husband even remarked on how many he would try.
Love this cookbook! I’ve been a vegetarian for eight years but have recently felt like I’m in a recipe slump. This cookbook supplied me with plenty of simple, fast, and most importantly healthy recipes to add to my arsenal. As a vegetarian it’s easy to fall into the rut of just eating lots of carbs and cheese (ie: quesadillas everyday...) and a lot of vegetarian cookbooks tend to have complicated recipes with tons of ingredients. Not this one! Love it for my busy family.
90% of the ingredients are in my house! This is huge to me. Simple recipes that sound amazing. Books like this give me thoughts on mixibg items I might have not tried. Thanks Elizabeth💘
I looked through this book on vacation. I can’t wait to try these recipes . The only thing that I would change is that she uses canned beans. I would like to have the recipes with home cooked beans....I can adjust but it would have been nice.
This cookbook is amazing. I'm downright lazy when it comes to cooking, and the recipes in this cookbook feel like they were made for me. I love how simple every thing is, yet so delicious and flavorful. Love that most of the recipes can be altered to be gluten free or vegetarian. This book has given me confidence to get back in the kitchen and try new things - that are surprisingly easy.
The thing that surprised and please me most about this book is how many of the ingredients I already stock, so I don't need a special trip to the store for packets of things I may never finish. The small amounts of ingredients for many of the recipes is great and means I'll be trying some recipes I would usually skip over. And the calorie counts are good. There are no photos but the recipes are straightforward enough to envision.
I bought this cookbook over a month ago and have been meal prepping with it ever since. The recipes are delicious and creative but also very practicable from a time and cost perspective. I eat mostly vegetarian at home, so this cookbook gives me many options. I love it!
Loved! Loved! LOVED this book! So simple and easy to read. I'm not much of a cook, but I feel as though not only can I cook up some great meals, but I understand more what ingredients / servings will be best for me as a vegetarian. I can't thank Elizabeth enough for her simple and easy style.
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PDF Download The Busy Bride's Essential Wedding Checklists, by Sharon Naylor
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The Busy Bride's Essential Wedding Checklists, by Sharon Naylor
PDF Download The Busy Bride's Essential Wedding Checklists, by Sharon Naylor
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About the Author
Sharon Naylor is the bestselling and internationally-renowned author of over 35 wedding books, including The Complete Outdoor Wedding Planner, Bridesmaid on a Budget, The Mother of the Bride Book, Mother of the Groom, and many more award-winning titles. She has been featured in Bridal Guide, Southern Bride, Brides, InStyle Weddings, New York Weddings, Destination I Do, VOWS, and many other top bridal publications, as well as in Glamour, Redbook, Better Homes and Gardens, Ladies Home Journal, Woman's Day, The Wall Street Journal, The New York Times and others. She has appeared on Good Morning America, Martha Stewart Weddings satellite radio, the BBC, Lifetime, ABC News, and countless other media programs. She is a syndicated wedding columnist and the green weddings expert at GorgeouslyGreen.com, as well as the Q&A maven at iVillage Weddings, WeddingMapper.com and more. She is also the destination wedding and honeymoon spokesperson for the Best-Of award-winning Rosewood Resorts Caneel Bay and Jumby Bay. Visit her website sharonnaylor.net and follow her on Twitter @sharonnaylorwed for her latest news and to potentially be featured in her upcoming wedding articles, blogs, and television segments.
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Excerpt. © Reprinted by permission. All rights reserved.
DJ or Band? EntertainingYour CrowdYou might already know whether you want a DJ or a band as your main entertainment for the reception. There are pros and cons to each-such as price package differences, hiring one person vs. hiring twelve and having to feed them as part of your catering bill. There are stylistic differences you may consider, such as the elegance of a twelve-piece orchestra vs. the hip, club-hopping environment provided by a great DJ. But first, think about which other kinds of musicians you might want for your cocktail hour or for other spotlight performances during your reception (and after-party!): Pianist Flutist Cellist Jazz band Ethnic musicians Harpist Trumpeter Guitarist (or guitarist duo) Singer(s)-soloist, a cappella group, Doo Wop ™group, opera singers, etc. Where to Find MusiciansYou'll find great musicians, bands, and DJs through the usual channels of referrals, but you also could find the ideal performers at the most surprising of locations. Here's where to start your search and collect the business cards of experts you'll audition: Referrals from recently married friends and family. Expert referrals from your wedding coordinator and site managers. (They may have a concert pianist on staff!) Through a professional musician association. (Check out www.musicintheair.com if you're in the New York City area, and look for federations like these in your area.)Performances at bridal expos and showcases. Hotel lobbies. (Their pianists, harpists and cellists often work weddings as well.) Bookstores and cafes. (Guitarists and musicians often make extra money on the side by booking these appearances.) University performing arts departments or musical academies. (Your wedding would be great for a talented student's resume and portfolio!) Other (One bride found a terrific guitarist performing in a city park.):Setting Up AuditionsOnce you've narrowed down your list to possible experts who will play on your day, it's time to audition them. They'll come in, set up, and play for you the kinds of songs they'll perform on your wedding day, and you'll get to see them in action-not just for their talent, but for their sense of style and how they would interact with your crowd. Remember, DJs and band leaders can create a great atmosphere with their energy level, how they speak to your group, the way in which they take requests, and their general friendliness. So if that DJ seems to be a pompous, self-important jerk, cross him off your list.Special Songs to Be Played:Here is where you'll record any special songs you'd definitely like played at your celebration:Cocktail hour:As the wedding party enters the room:As bride and groom enter the room: First dance song: Father-daughter dance song: Mother-son dance song: Spotlight dances by request:During the bouquet toss: During the garter removal: During the cake cutting: As we make our exit: Additional party songs we love:For Each Musician You Hire:Make sure you have a rock-solid contract with all details spelled out. Record when deposits and final payments are due, the exact hours they are to perform, and you can even write into your contract what you want them to wear (as in, tuxedos to match your crowd, all-black outfits, no sequin-studded jackets.)Bridal Luncheonsand BrunchesUse this worksheet to share your preferences, or to make your own final plans for the party:Sample Ideas:• Lunch out at a fabulous restaurant, eating al fresco on their garden terrace.• An elegant brunch at a restaurant or hotel, with a lavish buffet spread, free champagne, and a pianist providing the mood music.• Breakfast at home, with bagels and paninis-plus an assortment of fillings and toppings-on the do-it-yourself menu.• Afternoon tea at a restaurant or hotel's well-appointed lobby.• An excursion to a cultural restaurant, such as Thai food, Indian food, Mexican, Japanese, German, etc.Date:Time:Location:Location website:Site manager's name:Site manager's contact info:Theme or style:Who's hosting this party:Dress code:RSVP date:Invitation plans:Invitation send-by date:Décor:••••Menu:•••••••••Cake or desserts:••Drinks:••••Favors:••Activities/Games:••••Rentals needed?•••Notes:Guest List••••••••••••••••••••••••••••••••••••••••••
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Product details
Paperback: 288 pages
Publisher: Sourcebooks Casablanca (September 1, 2005)
Language: English
ISBN-10: 140220504X
ISBN-13: 978-1402205040
Product Dimensions:
4.2 x 0.7 x 7 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
3.4 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#2,896,546 in Books (See Top 100 in Books)
This book covers every little detail to planning a wedding in checklist style. When you get all the checks in the box, you will have the wedding of your dreams!
There were a lot of lists in this book... too many actually. I'm a serious list person and really thought this book would help me to be efficient, but so many of the items on each list were irrelevant that it was more time consuming than anything else to sift through to the relevant ones. The overall, high-level to do lists were fine, but you could easily find those on any decent wedding planning website like theknot.com.
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PDF Download On Directing Film, by David Mamet
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On Directing Film, by David Mamet
PDF Download On Directing Film, by David Mamet
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Amazon.com Review
According to David Mamet, a film director must, above all things, think visually. Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University. He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great filmmaker understands that the burden of cinematic storytelling lies less in the individual shot than in the collective meaning that shots convey when they are edited together. Mamet borrows many of his ideas about directing, writing, and acting from Russian masters such as Konstantin Stanislavsky, Sergei M. Eisenstein, and Vsevelod Pudovkin, but he presents his material in so delightful and lively a fashion that he revitalizes it for the contemporary reader.
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Review
"Passion, clarity, commitment, intelligence—just what one would expect from Mamet."—Sidney Lumet, Academy Award-nominated director of 12 Angry Men, Dog Day Afternoon, Network, and The Verdict
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Product details
Paperback: 128 pages
Publisher: Penguin Books; Reprint edition (January 1, 1992)
Language: English
ISBN-10: 0140127224
ISBN-13: 978-0140127225
Product Dimensions:
5.1 x 0.3 x 7.7 inches
Shipping Weight: 3.2 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
102 customer reviews
Amazon Best Sellers Rank:
#57,566 in Books (See Top 100 in Books)
Suppose someone wrote a book on the mating patterns of the sperm whale and then, after he wrote it, realized he knew nothing about mating patterns of the sperm whale and wrote an endearing line of apology in the preface confessing his ignorance. Should the publisher go ahead and publish the book anyway? Should we still buy and read the book? Should we still respect the author?This is precisely what happens with Mamet's "On Directing Film."Somehow, in this book, Mamet thinks that his skill as a dramatic writer makes him a de facto authority on film, directing, and acting--three disciplines of which he is, to varying degrees, shamefully ignorant.The book is not only unaware of its own ignorance, it is pompous and often cursorily written, as if Mamet had just vomited and was half-passed out in the toilet stall of some dingy New York club as he was scribbling down the words."Perhaps your task as a designer of shots is, after a point, that of a decorator, quite frankly," says our sage of cinema (74)."In the old cartoons, the artists realized the essence of the theory of montage, which is that they could do whatever the heck they wanted," says our esteemed lecturer (80).This book not only makes Mamet look bad, it makes the Columbia Film School look foolish for propping Mamet up as an expert and allowing him to teach classes in something he knows next to nothing about. I felt sorry for the poor students in the book's dialogues. They had paid tens of thousands in tuition to attend a prestigious university and gain pearls of wisdom into the cinematic art only to have this novice hack trot around and infect their naive minds with wildly distorted half-truths.I was fully ready to give this book a one star and leave it at that, but, as foul as parts of the book are, Mamet is still a skilled dramatist and there are parts that do shine. Mamet's always trying to simplify and get to the essence of things and, in spite of his pomposity and ignorance, he does manage to say some really important things about directing film that help put things into perspective and make the practical work of directing clear and manageable. In fact, if all the tripe were gutted from the book, I might say this is one of the most helpful manuals on directing I've ever read.
A few years ago I married a scoundrel--a delusional little man who had taken two whole classes one year at a presigious film school before announcing to the world that he was the next Steven Spielberg, who then spent the next twenty years refusing to get a job because filmmaking was his alleged "destiny." As it turned out, I really was his muse; obsessed with real-life cable crime dramas about psycho brides who kill their unsuspecting, purely innocent husbands, his family would later tell me, he had hoped that he could get me to snap and become the "write what you know" foil in the horror movie of the century, to gain the wealth, adulation and admiration he so richly deserved. In the years since our not-so-amicable divorce, I've been in real film school, taking classes and seminars wherever I can, and working every peon job on every set that will have me because, in a weird twist of life's true horror, I actually do want to make films, and I want to make them well.David Mamet is one of the great filmmakers that my Peter Pan wanted to pose as, but in reading this book I have learned that everything I had been told about the science of Mamet's method was completely false. Either Dopey had a far poorer grasp on reading (and watching) comprehension than I ever realised, or he just made it up as he went along. In truth, I learned in reading this book that Film Directing is much more creative and far less pretentious than I'd been led to believe, and this lecture series made me wish that I had chosen Columbia instead of Boise State way back when these classes were first taught.David Mamet's positive view that the film director is a "Dionysian extention of the screenwriter" makes the prospect much less dull. His philosophy about "letting the story evolve," how that happens, and allowing the subconcious mind to lead shot sequences and angles is brilliant. But his final advice to "stick to the channel, it's marked," is what makes this series of lessons timeless. All of the classes I have taken have left me feeling daunted, worried about the future direction of my path, losing focus in the minutiae of technicality, camera choices, light angles...resisting the urge to pummel bad actors. But then there is the clearheaded, short-and-sweet teaching of Mamet to follow first principles, plotting a sure course, summed up with:"The more time you have invested, and the more of yourself you have invested in the plan, the more secure you will feel in the face of terror, loneliness, or the unfeeling or ignorant comments of those from whom you are asking a whole bunch of money or indulgence."This book is truly a series of peptalks from a great and humble mentor, and is going into my war chest to be referred back to whenever I need to find the center again. It's so much more sensible than the ramblings of the idiot I married.
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Download PDF In Loving Memory Funeral Guest Book, Memorial Guest Book, Condolence Book, Remembrance Book for Funerals or Wake, Memorial Service Guest Book: Hardcover. a Lasting Keepsake for the Family., by Angelis Publications
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Product details
Hardcover: 100 pages
Publisher: Angelis Publications (April 10, 2017)
Language: English
ISBN-10: 0995694974
ISBN-13: 978-0995694972
Product Dimensions:
8.5 x 0.3 x 8.5 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#581,486 in Books (See Top 100 in Books)
great quality - very happy with this item!
The book itself was beautiful, but the binding was broken. The pages were separating from the binding. Perhaps it was not manufactured properly or it was old and the binding glue was letting go.
Very nice book.
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Free PDF Camera Orientalis: Reflections on Photography of the Middle East
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Camera Orientalis: Reflections on Photography of the Middle East
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Review
"Reading the book in the contemporary political moment, when (digital) technologies and visualizations continue to be deployed to stake 'truth'-claims about 'others,' Camera Orientalis, and its author’s insistence that every iota of power be accounted for in unearthing the architectonics of visual knowledge, makes for an important benchmark of understanding." (Trans Asia Photography Review)“Behdad maps an important position in debates about the political efficacy of photographs. Rightly insisting on the centrality of ‘the Orient’ to early practitioners, he redirects our vision to the formative role of the camera in the uneasy careers of Europe’s empires. The contact zones created by the embrace of photography by local elites provide a rich counterpoint, revealing not ‘resistance’ but the vivid realization that the camera’s ‘image repertoires’ were a conduit to power. This is a salutary contribution to the study of photography as a global practice, one that has always exceeded Europe and the narrow confines of nation states.” (Christopher Pinney, University College London)“Finding that the Middle East served as an important site for the development of photography, Behdad traces the unequal gazes through which photography enabled Orientalist ways of seeing. But, surprisingly and powerfully, Camera Orientalis goes on to show that photographic encounters engender more than struggles for control of the visual field. They also yield multidirectional gazes and hybrid practices that borrow from and inspire one other, in sometimes troubling ways.” (Marianne Hirsch, author of The Generation of Postmemory: Writing and Visual Culture After the Holocaust)“I warmly welcome Behdad’s book on the historical techniques and political protocols of photography in the realization of Orientalist visual culture. Can we make any argument about the impact of colonization on modernity—post-, contra-, or plural—without exploring the profound influence of the techne of the photograph on the affective and ethical networks that have made the Middle East a crucial hub of global knowledge? This excellent contribution provides us with a crucial resource for understanding the regional conditions and cosmopolitical implications of an art that reveals what is hidden and submerged while mirroring the social and psychic salience of surface and frame.” (Homi K. Bhabha, Harvard University)
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About the Author
Ali Behdad is the John Charles Hillis Professor of Literature at the University of California, Los Angeles.
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Product details
Paperback: 224 pages
Publisher: University of Chicago Press; 1 edition (August 12, 2016)
Language: English
ISBN-10: 022635640X
ISBN-13: 978-0226356402
Product Dimensions:
7 x 0.4 x 9 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#1,096,921 in Books (See Top 100 in Books)
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File Size: 5240 KB
Print Length: 1143 pages
Page Numbers Source ISBN: 9401794561
Publisher: Springer; 2015 edition (December 8, 2014)
Publication Date: December 8, 2014
Sold by: Amazon Digital Services LLC
Language: English
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Download PDF Five Let's GO! Books 1: Systematic Decodable Books for Phonics Readers and Folks with a Dyslexic Learning Style (DOG ON A LOG Let’s GO! Book Collection) (Volume 1), by Pamela Brookes
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Review
LYNNE E. JAFFE, PHD,  co-author: Woodcock-Johnson IV: Reports, Recommendations,and Strategies (2016), and Comprehensive Evaluations: Case Reports for Psychologists, Diagnosticians, and Special Educators (2011):  In the 45 years that I have been teaching reading to students with dyslexia, I'm always looking for reading material to back up that which is provided by the program, which my students can use to practice reading on their own or at home with a parent's guidance. Many publishers have sets of "high-low" books intended for older readers with limited reading skills but these do not follow the principles of the Orton-Gillingham-based reading programs - systematic, highly structured, recursive in its presentation of skills taught, and with progress predicated on mastery of the current level of skills being taught. Now, Pamela Brookes has created DOG ON A LOG Chapter Books that follow an incremental, phonics-based pattern and work well with O-G based programs.These wonderful little books have "chapters," so that students feel that the books are a bit more sophisticated. Another advantage of these books is that they have just enough pictures to increase interest in the stories but not so many as to allow the reader to get the story from the pictures. Reading is necessary. Ms. Brookes has also created DOG ON A LOG Let's GO! Books. This complementary set of books tell the same stories with more pictures and less text. These books allow for skill practice in a format which may be less intimidating for some students until they feel confident enough to approach the chapter books. Ms. Brookes' books will be a great asset to educational therapists, parents, and special education teachers in their work with children and adults with dyslexia.Â
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From the Author
My child needed an ongoing supply of systematic phonics booksthat use an Orton-Gllingham approach. This proved to be a nearly impossible,expensive task so I decided to write them myself. I want toshare our books with new readers and their families. I also want to make themaffordable. All books are available in both digital and paper editions. Themost cost effective version is a digital collection of five same-step books.The paperback version of the five book collections is a bit more, but is stilla lost less expensive than buying the individual paper books. Due to productioncosts, the individual paperbacks are the most expensive way to buy these books.However, these books give kids a chance to hold a book and say, "I readthis WHOLE book." Since every family will have different needs anddifferent budgets, I am making the books available in multiple formats. All thepaperbacks have black and white pictures to keep prices down. The digital booksall have color pictures.     As ourreading journey progresses I will continue to write books for my daughter andto share them with other families. I was notgoing to include artwork because that is not my talent. However, my daughterwas adamant she wanted her books to include pictures. I may not be able todraw, but I can photoshop images so I take public domain images and adapted toeach story. I am grateful to the artists who have made their images availablefor public domain uses. These sweet images give my daughter a break when thereading is challenging. I hope othernew readers will be entertained by these stories as they practice, and master,each step of their reading journey.  PamelaBrookes
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Product details
Series: DOG ON A LOG Let's GO! Book Collection (Book 1)
Paperback: 112 pages
Publisher: DOG ON A LOG Books (October 12, 2017)
Language: English
ISBN-10: 1949471063
ISBN-13: 978-1949471069
Product Dimensions:
5 x 0.3 x 8 inches
Shipping Weight: 6.2 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#238,780 in Books (See Top 100 in Books)
Bought this for my friend's child. He was able to read it with some help from Mom. Funny stories that made them laugh. They liked it so much that she's going to buy the chapter books.
I have a 9 year old with Dyslexia. He always tells people he can't read. He is starting to though, it just takes him awhile to figure out the word, and to have the confidence to try. We love these books!!! The author has really done her research and created stories that a beginning, struggling reader can read! So many times we would go to our library and grab a beginner book with simple words, but then the book would add some very difficult words that had nothing to do with the sound we were working on. My son was able to pick this up and read each story! The look of amazement on his face was priceless😻 I highly recommend these books.
Grandson and Granddaughter felt successful reading on their own. Material was not overwhelming. A creative and fun way for young readers to build confidence. I would recommend this book
This is not at all what I was expecting!!
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