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Go Set a Watchman: A Novel, by Harper Lee
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Review
“Go Set a Watchman is such an important book, perhaps the most important novel on race to come out of the white South in decades… (New York Times Opinion Pages: Taking Note)“Watchman is compelling in its timeliness.” (Washington Post)“Go Set a Watchman provides valuable insight into the generous, complex mind of one of America’s most important authors.” (USA Today)“Harper Lee’s second novel sheds more light on our world than its predecessor did.” (Time)“[Go Set a Watchman] contains the familiar pleasures of Ms. Lee’s writing- the easy, drawling rhythms, the flashes of insouciant humor, the love of anecdote.” (Wall Street Journal)“…the voice we came to know so well in To Kill a Mockingbird - funny, ornery, rulebreaking - is right here in Go Set a Watchman, too, as exasperating and captivating as ever.” (Chicago Tribune)“Don’t let ‘Go Set a Watchman’ change the way you think about Atticus Finch…the hard truth is that a man such as Atticus, born barely a decade after Reconstruction to a family of Southern gentry, would have had a complicated and tortuous history with race.” (Los Angeles Times)“A significant aspect of this novel is that it asks us to see Atticus now not merely as a hero, a god, but as a flesh-and-blood man with shortcomings and moral failing, enabling us to see ourselves for all our complexities and contradictions.” (Washington Post)“The success of Go Set a Watchman... lies both in its depiction of Jean Louise reckoning with her father’s beliefs, and in the manner by which it integrates those beliefs into the Atticus we know.” (Time)“Go Set a Watchman’s greatest asset may be its role in sparking frank discussion about America’s woeful track record when it comes to racial equality.” (San Francisco Chronicle)
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From the Back Cover
“Go Set a Watchman is such an important book, perhaps the most important novel on race to come out of the white South in decades.”—Clay Risen, New York TimesMaycomb, Alabama. Twenty-six-year-old Jean Louise Finch—“Scout”—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise’s homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town, and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in painful yet necessary transition out of the illusions of the past—a journey that can only be guided by one’s own conscience.Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor, and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird but also serves as its essential companion, adding depth, context, and new meaning to an American classic.“Harper Lee’s second novel sheds more light on our world than its predecessor did.”—Time“Provides valuable insight into the generous, complex mind of one of America’s most important authors.”—USA Today
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Product details
Paperback: 288 pages
Publisher: Harper Perennial Modern Classics; Reprint edition (May 3, 2016)
Language: English
ISBN-10: 9780062409867
ISBN-13: 978-0062409867
ASIN: 0062409867
Product Dimensions:
5.3 x 0.6 x 8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
11,865 customer reviews
Amazon Best Sellers Rank:
#7,535 in Books (See Top 100 in Books)
First things first: 'Watchman' is NOT a sequel to 'To Kill a Mockingbird'; it is an early draft of the classic novel. The events in 'Watchman' post-date those in 'Mockingbird' but, as stated, that was simply the period in Lee's original version. It is important to understand that this newly-released book is a preliminary version of the classic, not a subsequent or totally different novel.Okay, now that we understand each other, how is 'Watchman'? It's...okay. There are critical differences that I won't go into in order not to spoil the plot. Here's what I can tell you (and I am assuming you are familiar with 'Mockingbird'): The time period is mid-50's. Scout is 26, lives in New York City, and returns to Maycomb for a two week visit. The book is told in a series of anecdotes in the present day and in flashbacks to Scout's childhood. Scout is called by her proper name, Jean Louise, for the majority of the book. Dill is overseas and is only seen in a few flashbacks. Jem is also not on the present scene, although he figures more significantly in flashbacks. Miss Maudie is mentioned but doesn't play a major role. There is no mention whatsoever of any of the Radleys. A principal "new" figure is Hank Clinton, an orphan of Jem's age that was taken under Atticus' wing, became a lawyer and Atticus' partner, and is determined to marry Jean Louise and have her return to Maycomb.What's happening in Maycomb is that the NAACP is becoming prominent, and 'the Negroes' are demanding civil rights following the US Supreme Court's decision to integrate public schools. Jean Louise is disgusted to learn of Maycomb's opposition to these developments and is horrified by a town council meeting attended by Hank and Atticus where blatant racism, intolerance, stereotypes and segregation are advanced. She dismisses Hank as a would-be fiancé. Her image of Atticus, the hero of 'Mockingbird' and a universal symbol of justice, tolerance and equality, is shattered. Having based her own value system on Atticus, Jean Louise is infuriated and feels she is identity-less as a result of this surprising betrayal.These developments would be startling and extremely disappointing if 'Watchman' was in fact a sequel to 'Mockingbird'. Everyone can breathe a sigh of relief because Lee ultimately chose to portray Atticus in the manner that she did. Reading the earlier version is interesting to see how she came around to the end result. In this respect, 'Watchman' is important as a resource to show countervailing concerns at play when Lee was writing, and is good enough cause to read it. (As a side note, there are striking comparisons to some of the more moderate Maycomb council theories and those of modern-day Confederate flag supporters. Take note, English Lit teachers!)Does the book stand on its own? In a word, no. It's boring. 'Mockingbird' is charming and funny, the characters are endearing, there's a fair amount of action, the dialogue is brilliant. Not the case in the earlier draft. There is relatively little action. For the most part, the "action" takes place in the flashbacks, none of which are even close to the stories in the eventual classic. The book is not funny. Jean Louise is appealing but she's by no means the adorable, irreverent Scout. Hank Clinton is a caricature that was wisely deleted. Atticus is an old, decrepit shadow of himself whose opinions will upset most readers. Dill is AWOL, the Radley angle is sorely missed. Aunt Alexandra and Uncle Jack are overly present but are supremely tedious. A major difference between this draft and the later one is that pages and pages are given over to speeches. Practically all the dialogue is delivered from a pulpit or a soap box. Lee had a lot to say, and eventually got it right, but in this version the overlong speeches get boring, quickly. There is some great writing, and many passages from the draft made it into the final cut. Lee obviously benefitted from some intelligent and caring editors as she finished the novel.To Kill a Mockingbird is an all-time classic that everyone should read. Go Set A Watchman is an interesting tool that helps show how Lee developed the characters, setting, storyline and message of the novel. It is valuable in that respect, and is worth reading, but does not hold its own as an independent novel, because that's not what it is.
If "Go Set a Watchman" had been published before "To Kill a Mockingbird," it would have been meaningless. Tom Robinson's trial would be just a vague incident in the Jean Louise's memory instead of a culturally iconic scene. Atticus Finch would be his daughter's fallen hero, but not ours. If "Watchman" had been first, we would only know Atticus as a segregationist and we wouldn't care: he wouldn't have been an ethical role model and a hero. There would be references to Atticus's past and why Jean Louise's world is shaken when she finds out he is a segregationist, but we would not share them. Now, though, Jean Louise's (who I keep referring to as "Scout" out of habit) feelings of betrayal are our own, as we can see by the collective Internet outrage.That's why "Watchman" works; that's why I have to give it four stars. "Watchman" is about fallen idols and disillusionment. Jean Louise tries to reconcile how moral paragon Atticus Finch could be racist, and that's what the readers have been trying to reconcile, as well. The press release for "Watchman" said, "[Jean Louise Finch] is forced to grapple with issues both personal and political as she tries to understand her father's attitude toward society, and her own feelings about the place where she was born and spent her childhood," which gave us a hint that the Atticus we knew--the infallible anti-racist crusader--would not be that way in "Watchman." The talk about "Watchman" tarnishing Lee's legacy contributed to that idea. Still, I dismissed this possibility until it was confirmed, and even then, I was in denial. When Scout finds out Atticus is attending segregationist citizens' council meetings, she thinks "[He was] pulling something, [he was] there merely to keep an eye on things," a thought that I hopefully and childishly had, as well.But the most painful thing is that this Atticus is still recognizably, unquestionably Atticus Finch. Some speculated that this first draft Atticus would be different enough as a character (beyond the obvious) that we could easily dismiss him as Not Atticus and the book as Not Canon. He is still a loving father, a good neighbor, endlessly reasonable, thoughtful, articulate, patient, wry, giving. Still, his portrayal in "Watchman" makes me uneasy. JK Rowling could, conceivably, write a Harry Potter sequel set twenty, thirty years in the future, where Harry, an Auror, gleefully casts the Cruciatus Curse against suspected magical wrong-doers on a regular basis. Could she explain how he became this way as he grew older while making it consistent with his character from the first seven books? I think so, but I wouldn't want to read that.On the bright side, Jean Louise Finch serves as a moral compass. Atticus taught her well. She challenges beliefs that she knows are wrong. Of course, by today's standards, some of the things she says are cringeworthy, but the point is, she is now the progressive heroine. She is not perfect, but she has potential to be better than her father and her hometown. We have hope that she will pick up where Atticus failed. She is also recognizably Scout Finch, the outspoken, precocious tomboy, but now she is twenty-six and still out of place in Maycomb. Jean Louise has been living in New York City, which contributes to the jarringness of her visit. She can't relate to the women of her town, their interests, or their views on race. And, of course, Aunt Alexandra is still on her case about her behavior and appearance.Other familiar faces include Aunt Alexandra, Uncle Jack (who takes a much more prominent role), and Calpurnia. Scout mentions that she still keeps in touch with Dill, who is exploring Italy, last she checked. Next to Atticus, the most disappointing news is that Jem died before "Watchman" begins.Henry Clinton is an important new character. He has been close to the Finches since, well, after the events of "Mockingbird." He became Atticus's protege after Jem died. Jean Louise has a serious relationship with him at the beginning of the novel, but, like Atticus, he attends those awful citizens' council meetings, and her view of him is shaken.I wanted to hate this book, and I wanted to be angry at it. The controversy surrounding its release would be enough: the story behind its publication is shady, almost certainly achieved through underhanded means, and even buying the novel was a moral quandary. Unfortunately, the book is good, and its message--however painfully it hits--is important: heroes can fall and they should. Not only that, but it forces us to look at our own values and behaviors. Atticus Finch was a huge relief: a person, albeit fictional, that we could look up to. He embodied everything an ethical person should aspire to (at least, the memetic version of him did). Atticus became a literary saint.However, even "Mockingbird" shows cracks in the statue we've erected of Atticus Finch. He has always taken a paternalist stance towards black people, but the focus of "Mockingbird" was his fight for justice. His moving courtroom scene, his progressive parenting, and his countless other noble deeds overshadow small things like making Calpurnia enter through the back door. But this indicates that his conception of justice and equality is limited--not as limited as the rest of Maycomb, of course, but still limited--and that becomes the focal point of "Watchman." The hardest truth of "Watchman" is not that Atticus changed. It is that he was always like this. The question that Jean Louise/Scout and the readers have to answer is, What are we going to do to be better?
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From the Back Cover
Instant Italian, How to Communicate in Italian by Speaking English, is an invaluable companion for any business traveler or tourist who wants to communicate essential needs in a foreign language as simply as possible. The Speakeasy Series Guides are designed to help English-speaking travelers with little or no understanding of the Italian language to communicate in Italian by speaking English words. They allow an English-speaking tourist to easily travel, book a hotel, go sightseeing or eat in restaurants in the world's major cities. Each is laminated for durability. (3 1/2 X 81/4 folded, opens to 29 1/4 X 8 1/4, charts)
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About the Author
Zoologist Jim Kavanagh has made a career out of introducing novices to plants, animals, the sciences and world cultures. In addition to creating over 500 simplified nature guides, he has also authored guides to languages, cities and outdoor skills. An avid traveler and backpacker, Kavanagh’s path has taken him around the world to many remote destinations including the upper Amazon, Africa, Australia, and the Arctic Circle (and this is just the As). He is also the author of a series of state-specific guides to common species and natural attractions and a children's book on evolution.
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Product details
Age Range: 10 and up
Grade Level: 5 and up
Series: Pocket Traveller Series
Pamphlet: 1 pages
Publisher: Waterford Press; 1st edition (November 1, 2000)
Language: English
ISBN-10: 1583550313
ISBN-13: 978-1583550311
Product Dimensions:
3.5 x 0.2 x 8.2 inches
Shipping Weight: 1.8 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#2,290,505 in Books (See Top 100 in Books)
Very Helpful.They included very popular and useful phrases that came in handy many times. The printing andorganization was very good.
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Download PDF Guide: SOC 2 Reporting on an Examination of Controls at a Service Organization Relevant to Security, Availability, Processing Integrity, Confidentiality, or Privacy (AICPA)
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About the Author
Founded in 1887, the American Institute of Certified Public Accountants (AICPA) represents the CPA and accounting profession nationally and globally regarding rule-making and standard-setting, and serves as an advocate before legislative bodies, public interest groups and other professional organizations. The AICPA develops standards for audits of private companies and other services by CPAs; provides educational guidance materials to its members; develops and grades the Uniform CPA Examination; and monitors and enforces compliance with the accounting profession's technical and ethical standards.The AICPA's founding established accountancy as a profession distinguished by rigorous educational requirements, high professional standards, a strict code of professional ethics, a licensing status and a commitment to serving the public interest.
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Product details
Series: AICPA
Paperback: 496 pages
Publisher: Wiley; 1 edition (May 11, 2018)
Language: English
ISBN-10: 1945498609
ISBN-13: 978-1945498602
Product Dimensions:
6.2 x 1.6 x 8.8 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#506,431 in Books (See Top 100 in Books)
Very well organized with important examples.
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Download Ebook Birger Sandzen: An Illustrated Biography
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Birger Sandzen: An Illustrated Biography
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From Publishers Weekly
Sandzen (1871-1954) is a rarity in American art--a Swedish-born modernist trained in Stockholm and Paris, who settled in Kansas and applied a postimpressionist style to prairie scenes, dramatic Rockies mountainscapes and the mystery of southwestern canyons. In an admiring biography illustrated with 49 color plates and 26 black-and-whites, the late Lindquist, former president of Wichita State University, examines Sandzen's deep love of nature, his experiments with pointillism, his travels through Mexico and the American Southwest and his synthesis of such influences as Monet, Cezanne, Van Gogh and the fauves into a style marked by high-key colorism and a strong structural sense. Also presented are Sandzen's lithographs and woodcuts that echo the calligraphic manipulation of form seen in his oils. Copyright 1993 Reed Business Information, Inc.
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Product details
Hardcover: 148 pages
Publisher: Univ Pr of Kansas (May 1, 1993)
Language: English
ISBN-10: 0700605754
ISBN-13: 978-0700605750
Product Dimensions:
9 x 0.8 x 11.5 inches
Shipping Weight: 2.3 pounds
Average Customer Review:
4.6 out of 5 stars
9 customer reviews
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Beautiful book with many color & b/w illustrations of paintings and prints which clearly displays Sandzen's mastery of both mediums! Swedish born and trained Sandzen was one of America's leading post-impressionists and the only one of whom I know whose landscape subjects are entirely Western. A great buy!
Good book
love this book, what an inspiration
I have done several studies of Birger Sandzen's work, this book helps in understanding him. Perhaps I will do some more now that I have new reference material.
Birger Sandzén (1871-1954) is widely regarded as the preeminent artist in the history of the state of Kansas. Born and educated in Sweden, he emigrated to America in 1894 to accept a teaching position at Bethany College in Lindsborg. He taught there for over 50 years, and remained in Lindsborg until his death. He had a profound impact on the development of the arts in Kansas, yet his influence spread far beyond the borders of the state. He produced a prodigious output of paintings and prints which were exhibited both nationally and internationally.Despite its subtitle, this volume is not a biography in the traditional sense. It is a retrospective tribute in which biography plays a small part. The events and accomplishments of Sandzén's life are not related chronologically, but rather organized thematically into a series of essays. The first three chapters are biographical in nature, but successive chapters focus on individual aspects of his career such as teaching method, travel, family and friends, painting technique, printmaking, critical response to his work, and the establishment of the Birger Sandzén Memorial Gallery at Bethany College. In the treatment of his subject, author Emory Lindquist is relentlessly laudatory. He has not come to bury Sandzén, but to praise him. From reading this book one would suspect that Sandzén never committed a sin, no one ever had anything bad to say about him, and the only hardship he ever faced was death itself. Two mind-numbing chapters of excerpts from exhibition reviews cite heaps worth of adulation, garnished with less than a handful of sentences even remotely critical of the artist's work.Nevertheless, I enjoyed this book in spite of its lack of objectivity. What Lindquist does well is capture Sandzén's infectious excitement and enthusiasm for art and education. Despite isolating himself in a remote outpost on the prairies, Sandzén managed to execute works of art that rivaled those produced in the great art centers of the world and earned the respect of critics worldwide. Though he devoted himself to interpreting the landscapes of Kansas, the Rocky Mountains, and the Southwest, he never became an American regionalist painter. He built his own individual style upon a tripod of Nordic traditions, French impressionism, and German expressionism. Sandzén brought high artistic and intellectual standards to a small town in central Kansas, and with the help of friends and colleagues established at Lindsborg his own little Parnassus on the Plains.This volume is heavily illustrated with both historical photos of the artist and pictures of his work. To those unfamiliar with Sandzén's art, his painting style could best be described as a combination of Van Gogh with a fatter brush and Monet on steroids. No printed page could ever do justice to Sandzén's brilliant colors, but the 49 color plates included here succeed admirably. The 26 black and white figures reproduce his prints and drawings absolutely beautifully. In addition to presenting a lovely gallery of the artist's work, this book is the most authoritative resource we have on Sandzén and his inspiring accomplishments as an artist and educator. For that, it is a book to be respected and treasured.
If you have been a Sandzen fan for a while, this book with its juicy color photos is what everyone has been craving. COLOR, COLOR, COLOR....every artist should have a look at just a few pages to get an idea of what it means to paint in color,...or with color. The artists palette is usually a unique handeling of color and Sandzen's pinks, oranges, greens and yellows are hypnotizing. If you are interested in Sandzen's printmaking, see my other review on his graphic works, but if you are looking for a very nice life overview of an under-rated artist,..give it a go!!!
In the July issue of 2010 Southwest Art magazine, a small article appeared indicating the Palm Springs Art Museum (CA) was hosting a Birger Sandzen exhibit through Sept. 12, 2010. The illustrated biography (most likely paper back) is available for $42.00. Please forgive me, Amazon, for pointing this out to interested folks but the $265 for a new hard back is a steep price to pay in these economic times.
He would have wanted to be remembered most as a teacher and friend; he was that and more to those that were fortunate enough to have known him. Such was the life of the great Swedish artist Birger Sandzen.In a glowing tribute to the man and his work, Emory Lindquist has managed to capture the essence of who he was and what he has meant to Kansas art. An absolutely beautiful account of his art and influence. Sandzen was a one of a kind visionary of the beauty that surrounds us in everyday life and nature. A first rate work by a learned historian, and obvious devotee, of Sandzen.
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