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, by Tim Butcher
Free PDF , by Tim Butcher
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Product details
File Size: 2431 KB
Print Length: 396 pages
Publisher: Grove Press; First Trade Paper edition (September 15, 2009)
Publication Date: April 1, 2018
Language: English
ASIN: B0097D6XNO
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Amazon Best Sellers Rank:
#49,606 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Without the publication of this fascinating account of one man's arduous journey across a continent and through a forgotten country, the world would be worse off. The author weaves together historical accounts of the few who preceded him: Henry Stanley ("Dr. Livingstone, I presume."), Robert Conrad (Heart of Darkness), Evelyn Waugh, Graham Greene, and Barbara Kingsolver (The Poisonwood Bible). This makes the book much more than just a travel report but also a bibliography as wide and as deep as the mighty Congo River.
This was a gripping story of a dangerous journey through almost unbelievably primitive conditions. Much of what he related about his encounters was almost unbelievable to read about in the 21st C. I've traveled to third world and developing world, and have seen the incongruity of people on oxcarts with cell-phones etc. as they progress unevenly--but progress they do! But there is none of that on his journey. No sign of the 21st C, and almost none of the 20th C remaining in the area he traveled through. It broke my heart to realize how the world has ignored and forgotten the suffering DRC people. Mr. Butcher is a very interesting writer, and I appreciated the regional history as well as the story of his own tribulations and perseverance (although at times I thought he was just plain crazy to continue!). I would have given this book a "5 star" but the end of the book just petered out, so the end was a bit of a disappointment. Nonetheless, highly recommended!
I just finished reading both this and Jeffrey Tayler's Facing the Congo: A Modern-Day Journey into the Heart of Darkness, which describes a similar journey. The two books are quite different in their approaches to the material, but they lend themselves to comparison, and on the whole, this book, Blood River, comes out ahead.The premise of this work is simple. The author, at the time the Africa corespondent for the Daily Telegraph, decides to retrace the journey of the most famous Daily Telegraph correspondent of a previous era: Henry Morton Stanley. He prepares for this trip for years, reading extensively about Stanley, the Congo, and Africa in general before starting his remarkable trip. After first flying to the shores of Lake Tanganyika, he the follows, using mostly modern conveyances, the route pioneered over a century before by Stanley. Throughout he compares his experiences with those of the prior explorer, and with the experiences of only a few decades ago, at the time of the Belgian colony. I was amazed to learn how developed the Congo had been prior to its independence. A modern joke, which does not feature in this book, but which applies completely goes as follows: a child asks his grandparent "what did you use for light before candles were invented?" and the grandparent replies "Electricity." The constant refrain of this book is the elderly, 70+ year old crowd, who remember clean water, good roads, good hospitals, the rule of law, and electric light, while their grandchildren work as subsistence farmers or mercenaries.Butcher writes as a journalist, and it shows. His ability to bring even a savage and dangerous "undeveloping" country to vivid, engrossing light is superb. His research before the trip shows as well, in his asides about flora, fauna, and the monuments he discovers. His point in making the trip was a deeper understanding of the country, and this is where the starkest contrast is seen between his work and Tayler's. Tayler states at the opening of his book that the journey was one of self discovery, and that book is much more inward focused and solipsistic. It is surprising then, that I feel the reader gets a better picture of Butcher than of Tayler, as we see his interest in, and concern for, the people he encounters. His closing paragraphs add a note of hope to an otherwise bleak look at the "broken heart of Africa". Which is a wonderfully coined phrase, by the way.The book is written in British English, with an occasional word I had to look up as an American reader. (I had never heard the term "tatty" before reading this). Occasionally he repeats himself, with some key phrases repeated more than once. Butcher describes Mobutu's "singlehanded" prevention of Congo's success on at least three occasions, using very similar wording. But these are relatively minor quibbles with an otherwise excellent work.Highly recommended.
Another Western journalist's account of his travels through a war-torn African country, this time, the Congo. For anyone who read and enjoyed King Leopold's Ghost, this book can almost serve as a sort of sequel. In it, Tim Butcher attempts to retrace Henry Morton Stanley's portentous journey through the Congo over a century before. A friend of the author ironically points out, it's probably more dangerous to trek across the Congolese bush now than it was in Stanley's day.So, I admit the book's premise may be a little bit gimmicky, but Tim Butcher's voice more than makes up for it. He's a great writer and a genuinely likable person. (For those of you who have watched the show Survivor Man, imagine a Les Stroud who reads.) I found him to be sincere and direct - equal parts compassionate and honest. And despite his incredible hubris in undertaking this mission, he's surprisingly gentle-spirited and not at all pretentious.And just when I would begin to categorize him as a sort of straight-forward, no-frills writer, he would sideswipe me with a beautifully written description of something or someone he found compelling in the Congo, like a rusted piece of Belgian railroad track overtaken by the bush, or the frenetic Congolese priest lamenting the absence of law and order, or the man who was willing to give his four-year-old child to a complete stranger to save him from the Congo. I definitely enjoyed this book enough to pick up his next one right away.
Part history, part travel book, part social commentary, this is a fascinating and often disturbing look at the Congo and the author's observations as he attempts to retrace the journey of explorer Henry Stanley in the late 19th century through the most rugged and hostile terrain imaginable. Fantastically written and full of keen observations, this is a wonderful account of a country that has been brutalized and exploited, one that seems to have been left behind by the modern world.
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Ebook Download Hopi Basket Weaving: Artistry in Natural Fibers, by Helga Teiwes
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Hopi Basket Weaving: Artistry in Natural Fibers, by Helga Teiwes
Ebook Download Hopi Basket Weaving: Artistry in Natural Fibers, by Helga Teiwes
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From Library Journal
Basket weaving is an outlet for artistry and a showcase for the skills of Native Americans. These two books take different approaches to the subject, but both celebrate the talents of individuals and the difficulty of weaving in the old ways. The Hopi basketmakers responded to the interest and patience of photographer Teiwes, the author of other books on Southwest tribes, with interviews and extensive demonstrations. Because many of the old methods and materials they use are dying out, this is a valuable document. Details of the flora used, dying methods, techniques for each kind of basket, and an appreciation of the design forms used are all included. Rounding out the book are 128 of the author's photographs, 16 color plates, and a map of the Hopi lands, as well as an excellent chapter on ancient weaving in the area. Bibby is curator of an exhibit of 62 baskets judged to be the finest of their kind in California. They date from 1822 to the present, with basketmakers identified for almost all these gems. The book is the catalog for the exhibit, scheduled for the Crocker Art Museum in Sacramento and the Autry Museum in Los Angeles in the spring. Bibby considers craft items as individual works of art, and these dazzling examples, shown here in color, supersede mere utility. Each basket is described, with information on the California tribe's customary forms and a sketch or photo of and interview with the maker. A simple set of clear and useful illustrations shows the different ways of coiling and twining, and a map and historical introduction are helpful. Both books are suitable for advanced crafts as well as Native American collections.?Gay Neale, Southside Virginia Community Coll., AlbertaCopyright 1996 Reed Business Information, Inc.
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Review
"Excellent photos, including a section in stunning color, amplify the detailed text which describes everything from a typical day in a Hopi woman's life to details of collecting materials for dyes and baskets." —Books of the Southwest "Learn about the weaving techniques that are passed from mothers to daughters as well as the ceremonies and rituals in which these highly symbolic baskets play a role." —Southwest
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Product details
Paperback: 200 pages
Publisher: University of Arizona Press (October 1, 1996)
Language: English
ISBN-10: 0816516154
ISBN-13: 978-0816516155
Product Dimensions:
7 x 1 x 10 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#940,644 in Books (See Top 100 in Books)
This is a very informative book on Hopi basket weavers, starting with discussion of types of Hopi basket weaving. It contains many photographs of the weavers of the Second and Third Mesas and their works. Good addition to any American Indian basketry library.
Really nice book with lots interviews with the basket weavers. B/W photos. Dated, but still good info (1980s).
If you are looking for a great history book on Hopi baskets, this is the book. If you are looking for a "how to" book, this is not what you are looking for. It does state the technique used for various types of baskets, however doesn't tell you "how to" do those techniques. Beautiful photos, wonderful text, but not a "how to" book.
Great book...it's just what I wanted! The bios and photos of the artists are a nice addition and very appreciated.
This book has beautiful pictures taken by the artist of Hopi basketry and the women who create it.It's a good source of information on the women of the Hopi tribe and their basketry. Before writing the book she spent a lot of time observing and interviewing these women, which makes her book more credible than if she had just researched or observed. The way she talks about the women feels personal, and her friendship and respect for them shows in the writing.I'd recommend this book to anyone interested in the Hopi tribe or basket weaving in general. I also think that anyone who wishes to learn how to weave should read this to learn more about the cultural background of the art. However, even though Teiwes does talk about technique, it's not a how-to book.
good book
This is not for the person who wants to learn how to do Hopi style baskets. This is a book for the intermediate to advanced basketweaver who wants to STUDY Hopi basket weaving. History of the traditions and the basketweavers abound and there is a plethora of photos. You can study this book for a long time before you need to move on to get more info. It's fascinating as well as a bit sad for the ancient art that is struggling to stay alive. (One example is that appparently no one grows the Hopi sunflowers anymore which was the source of natural black dye so now synthetic black dye has to be used.)I wish there were more color photos but I have no problem with the number of photos -- nice job there! If you've admired, bought or want to work in the Hopi style (with a basketweaving background already in place) then this book will be a valuable addition to your artist library.
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