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File Size: 1285 KB
Print Length: 225 pages
Publisher: BenBella Books; 1 edition (February 2, 2010)
Publication Date: February 2, 2010
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B003PJ6UHA
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This book is Something Special."Quantum physics for the seeker" is how I think of it.I've read a few books that impressed me over the years. This one, though, is different in that it combines 'two worlds'.I've tended toward a split psychology, I guess. I was naturally drawn to see the workings of things, mechanics, physics, logic. Yet always I wanted the deeper answers as to what it was all about. To the extent that I found those answers they were found in reading and experience that was almost the diametric opposite of the physical, logical world; "In the head" vs. measurable, touchable reality. Two different things.Maybe you've heard about someone's "When I first read the Bible" or "My first meditation" sort of experience. Well, this one is more powerful than that, in that it COMBINES the core questions of existence with 'scientific', that is, actual physical/experimental, proof.I have, indeed, read a good few 'spiritually-oriented' books. My experience with them has always been that once I put them down, I am again faced with the same humdrum daily 'existence' of house, work, tromping about in that same old body, etc; 'physical reality' reasserts itself, and it's easy to feel that those deeply felt Truths I read just the other day were nothing but dreams, and 'this'
I am currently reading the author's follow-up book to "Biocentrism"..."Beyond Biocentrism"...which has not yet been released to the public. So let me say that if you are not at all familiar with the weird world of quantum physics, I think you would be best off waiting a few weeks for the release of the author's 2nd book, "Beyond Biocentrism," and reading that book first. The author spends more time describing quantum weirdness in plain English in his second book than he does in the first book.If you already know a little bit about the quantum world...(you don't need to know a lot,) you will enjoy "Biocentrism." The author has a wonderful sense of humor which adds spice to the science. In fact one of the funniest things I have read in a long time is in this book. It has to do with the Ishihara Color Test. It completely cracked me up.There are a lot of books out there now related to this subject matter, and many of them are not worth your time...just authors cashing in on the latest theory of everything. But I am careful about choosing books. And Robert Lanza is a highly respected scientist specializing in the field of stem cell research, so I trust this guy. And Lanza is also quite frank in stating that much of his thinking on this subject is pure theory...not to be confused with scientific fact.The subject matter is not exactly new, but new ideas sometimes need to hang out there in the realm of possibilities for a while before they gather momentum. I remember first hearing about the beginnings of this theory from the writings of David Bohm, winner of the Nobel Prize in physics back in the 1970s; and here it is about fifty years later and it is beginning to catch intellectual fire. If you are willing to keep an open mind, "Biocentrism" will give you lots to think about. Like ... what happens when we die? Does our consciousness stop, or does it just keep going on? Enjoy.
I have read a lot of books that deal with the nature of reality, and Robert Lanza's idea of biocentrism feels like an important piece of the whole puzzle. He dabbles in quantum physics, biology, psychology, spirituality, consciousness, relativity and tries to show how they are all interconnected, with biology being the most fundamental. In the book he lays out his seven principals of biocentrism. The first principal is "What we perceive as reality is a process that involves our consciousness....space and time are not absolute realities but rather tools of the human and animal mind." This echoes the idea put forth by Tom Campbell is his book, My Big Toe, that we are living in a virtual reality. Biocentrism and My Big Toe have a lot of similar ideas, and if you find Biocentrism educational then I would also recommend My Big Toe for a deeper exploration into the nature of reality.
Quantum Physics, the new religion? Perhaps not a new religion as much a possible scientific explainable of, what the famous French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner of a painting of his: "D'où Venons Nous / Que Sommes Nous / Où Allons Nous", or in English; "Where Do We Come From? What Are We? Where Are We Going?"I would first suggest that before reading this book that you find a primer of Quantum Physics in layman's terms. Dr. Lananza does a good job of explaining many of the theories of Quantum in none mathematical ways. This link may be of use; http://www.higgo.com/quantum/laymans.htmHere are some suggestions you may wish to peruse prior to deciding to purchase this book.https://en.wikipedia.org/wiki/Biocentric_universehttp://www.nbcnews.com/id/31393080/#.VHkLislNdxYI hope I have helped you.
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“Slyly exquisite...What happens over the course of the next 200+ pages is a dilemma Roald Dahl would have relished: The roiling anarchy of There erupts on Here--specifically, on poor Dave's previously clean-shaven cheeks--in the form of a great, snarly, twisting, unstoppable beard….If Collins is right--if, as he says, stories are necessary--then let's hope this wry young writer/artist has got a lot more lies to tell us.†―Glen Weldon, NPR“I don't want to spoil it…[but] it's kind of Roald Dahl--it's very funny, dark, fable-like and about exactly what it's title says.†―Linda Holmes, NPR's Pop Culture Happy Hour“The Gigantic Beard That Was Evil has the tone of a playful fable, from the cracked syntax of its title onward…For a book about the liberating joys of disruption, though, it's exceptionally disciplined: Collins renders several hundred pages of immaculately ruled buildings and bean-faced people (and the fuzzy curlicues that interfere with them) in meticulous, microdetailed pencil textures.†―NewYorkTimes.com (Sunday Book Review)“With one hell of a title, Stephen Collins' graphic novel makes an immediate impression, and the interior contents are just as gripping as the name….It's a poignant parable about the value of individuality and going against the grain, presented with a charming art style that brings a smooth animated quality to the story without losing sight of the darker aspects of the plot.†―The A.V. Club (Best Comics of the Year)“Filled with elegant black-and-white sketches and darkly philosophical commentary, Collins's graphic novel details what happens when borders collapse and stories have no tidy endings.†―TimeOut.com“The Gigantic Beard That Was Evil is an artistic marvel, and that splendor heightens the emotion of the story. The final moments of Dave's story are incredibly inspirational, and The Bangles' "Eternal Flame" has never been used as effectively as it is in those pages. Whimsical, bittersweet, and visually stunning, this graphic novel is the perfect parable for all ages, praising the value of eccentricity in a world of overwhelming uniformity with the help of unruly facial hair.†―The AV Club“Sublime.†―Popular Mechanics“A book about loneliness, fear, and worry that still manages to have a small glimmer of hope nestled in amongst the burly titular beard…Gorgeously illustrated….It's easily the most engaging thing I've read all month.†―Panels (Best Comics of October)“[Collins'] art -- especially as the beard grows and pages full of regimented, small panels breach into 2-page spreads of swirling hair -- is sensuous and soft. The Gigantic Beard That Was Evil is also a well-designed book, complete with two different finishes on the cover: a gloss on the white lettering and a velvety matte finish on the rest…It all works together to create a hushed tone, a kind of gentle melancholy.†―Paste magazine“More than adequately Kafkaesque…but the art is the real showstopper here. You can obsess over panel after carefully crosshatched panel for hours without feeling you've exhausted the book's possibilities. The black-and-white interior is rich with nuance and depth…[It] reminds me of the work of Aubrey Beardsley.†―BookRiot (Books for the Bearded)“This book is completely unique. Whether or not you read graphic novels, the title alone is enough to draw you into this one. It's a look at society as we know it, the way we look at the people around us, and the villain of the story is… a beard.†―Bustle“A moving and remarkably funny examination of conformity, safety, uncertainty and--yes--what happens when a man grows a beard so big that it threatens to smother entire city blocks….Discover: A compelling and funny spin on Kafka's Metamorphosis.†―Shelf Awareness“Mysterious and often wryly funny…with precise yet soft illustrations reminiscent of Raymond Briggs. A visually lyrical modern fable that manages to be both utterly unique and eerily recognizable.†―Library Journal“Subtly menacing...[A] Tim Burton-esque tale for Halloween.†―BookPage“Collins' illustrations are lush, rounded affairs with voluptuous shading across oblong planes. Expressions pop, from the severe upturn where a sympathetic psychiatrist's brows meet to the befuddlement of a schoolgirl as the beard's hypnotic powers take hold… Rich, creamy art and playful paneling make for a fun read.†―Kirkus Reviews“An amazing book. Completely original. Surreal yet believable.†―Raymond Briggs“It's part satire, part parable, part nursery rhyme, and part disaster movie, and it's an utter joy to read.†―The Times (London)“As splendiferous as its title.†―Metro (UK)“Clever, funny, and beautiful to look at… Surely destined to become a classic.†―Rachel Cooke, The Observer (UK)“A gorgeously penciled fable. The pacing and page design are immaculate.†―The Sunday Herald (Scotland)
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About the Author
Stephen Collins was born in 1980 and grew up in south London. He began cartooning in 2003, and has since won several awards, including the Jonathan Cape/Observer Graphic Short Story Prize and the inaugural 9th Art Award. His work has appeared in many publications worldwide, including Wired, GQ, and the BBC, and he contributes regular comics to the Guardian Weekend and Prospect magazine. He lives near Hertford with his wife and a well-charged beard trimmer.
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Product details
Hardcover: 240 pages
Publisher: Picador; 1 edition (October 7, 2014)
Language: English
ISBN-10: 9781250050397
ISBN-13: 978-1250050397
ASIN: 1250050391
Product Dimensions:
6.3 x 1 x 8.9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
50 customer reviews
Amazon Best Sellers Rank:
#144,624 in Books (See Top 100 in Books)
I loved this book--even more than I originally anticipated.The back blurb, title, and art made me think I was in for a lighthearted, whimsical adventure that would be every bit of fun as it was ridiculous. However, this was not that book. It's much more somber than I anticipated.True, it still has whimsy and is a bit ridiculous, but it went so much deeper than what I would've guessed from a book with such a title. Fun as it is, it has something to say about the world and does so without beating us over the head with its preaching or morals.Instead, Collins presents a fun tale--often told in rhyme--that explores the nature of our world and society. Even better, it's accompanied by gorgeous artwork. I often found myself studying a page in awe of the graceful lines and ethereal tone.It's an excellent book, no way around it. It's only too bad that the title and blurb don't fully capture the tone and depth presented here. Then again, perhaps that's another ploy for the "insides" to overpower the "outsides."
The Gigantic Beard that Was Evil is an awesome comic book. It has all those elements that make any comic to need of capitals because it has high standards regarding the quality of the Art and an unusual but poignant story.Stephen Collins has a great drawing technique that mixes naturalistic drawing, illustration an vector-like images with cartoonish characters. Everything is drawn with precise lines, very tidy even when the story gets messy, but the use of charcoal pencil gives texture, softness, chiaroscuro and warmth. I absolutely loved the framing and compositing of the vignettes and lettering, and how the text spreads organically throughout the page and the vignettes in unconventional ways.However, what makes this book special to me, is that it has that little-something that elevates any graphic book from cute and fun to excellent and timeless, and that is the story and the narrative. The book is well written, with a very concise and precise style, and takes readers into a humorous slightly Kafkaesque ride.The Gigantic Beard... is a wonderful brilliant fable about how Society and Culture react to change, differences and "the other". It shows how Society fears people who are different because, by being so, they question the values and ways of living on which the majority stands; so Society will react badly to any person who deviates from the standard behaviour, sexual orientation, gender role, or religious beliefs.At the same time, it shows how Society hates and fears any transformation that shakes its core and questions its foundations. Surprisingly enough, History proves time and time again that, once those changes occur and the interrupters provoke the change, Society will come to recognise how important their disruption and disrupters were for Society to advance; yet, Society criticised, ostracised, mocked, persecuted and/or killed those very people who were the engines of social change. Just two examples. The impressionist painters of the 19the century and the cubists and abstracts painters of the 20th century were heavily criticised, disregarded and their talent questioned, yet, they are the masters we all admire nowadays. The suffragists of the early 20th century were ridiculed, jailed and considered crazy for saying that women had a brain and were perfectly able and capable to decide and cast a vote on their own.Finally, the story also tells us that, at times, change begins with one person changing, the rest will eventually follow up.I read this book in the hard-copy edition Very good quality thick grainy paper, well bound, so one can open it without a problem, and really durable.Original, enjoyable, thought-provoking and wonderful black-and-white Art.
So I got the book today and so far what I've read seems pretty good. The problem I've had is that I purchased it from PB Sales and the front cover had a huge sticker on the front that when I pulled off it left a huge mark. For some people this wouldn't be a big deal but I'm obsessed with books and love to display them, etc. If I had known that it would be like this I wouldn't have bought it. The rating is for the business not the book.
Just amazing. Great story, brilliant artwork.The title may seem to be funny at first, but the story is not funny. The story is deep, dark, and overwhelming sometimes.Everyone who loves the meaningful books should read it even if it is going to be their first comic book.
A hilarious (and beautifully illustrated) fable about the futile human obsession with creating a semblance of order out of chaos. And, of course, a giant evil beard.
I'm new to the world of graphic novels. I read this on my new iPad and it was such a gorgeous experience. I grew up reading Roald Dahl and watching Tim Burton and I really loved the quirky similarities. Incredible illustrations. I loved this.
This book has awesome art and an awesome story - loved it!
Great Comic Book!
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Print Length: 1539 pages
Publication Date: August 24, 2016
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Language: English
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About the Author
Chris Beeley works for Nottinghamshire Healthcare NHS Trust as the leadAnalyst and programmer for staff and patient experience. He uses a variety of open source tools (PHP/MySQL, Apache, R, Shiny, and Ubuntu) to collect, collate, analyze, and report on patient and staff experience throughout the organization. He was the author of the previous edition of this book.He has been a keen user of R and a passionate advocate of open source tools in research and healthcare settings, having completed his PhD. He has made extensive use of R (and Shiny) to automate analysis and report on a new patient feedback website. This was funded by a grant from the NHS Institute for Innovation and made in collaboration with staff, service users, and carers within the Trust, particularly individuals from the Involvement Centre.
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Product details
Paperback: 238 pages
Publisher: Packt Publishing; 3rd Revised edition edition (September 27, 2018)
Language: English
ISBN-10: 1788993128
ISBN-13: 978-1788993128
Product Dimensions:
7.5 x 0.5 x 9.2 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)
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Amazon Best Sellers Rank:
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Amazon.com Review
Mary Taylor Simeti arrived in Sicily in 1962 to do volunteer work. Freshly graduated from Radcliffe College after growing up in a distinguished and privileged New York City family, the last thing she expected was to fall in love and marry a Sicilian. On Persephone's Island: A Sicilian Journal is the ambivalent love story of an intelligent, complex, and self-reflective woman. The book recounts the events of 1983, the year Simeti turned 42. Her narrative alternates between Palermo, where her children attend school and her husband Toninno is a professor of agricultural economy, and Bosco, in eastern Sicily, where she shoulders demanding responsibilities on the working farm that has belonged to her husband's family for three generations. Simeti feels the isolation of being an expatriate and outsider, although she claims to welcome this perspective when faced with frustration and disgust at the pervading political corruption and corrosive effects of the Mafia on everyday life. Despite her natural diffidence, she shares personal insights that makeOn Persephone's Island as compelling as her prose. Simeti intersperses rich helpings of Sicilian history and culture with mundane events and insight into what motivates the peasants essential to the survival of the family farm. And she makes pessimistic observations about the complexity of changing times in a society where the persistent reliance on feudal relationships and agriculture is finally crumbling. An academic manqué, Simeti researches and ruminates on the mythological underpinnings of the many holidays and festivals that punctuate the rhythm of Sicilian life. She focuses particularly on the Greek goddesses Persephone and Demeter, who held Sicily under their protection. She eventually discovers a correlation between her own situation and the story of Persephone, who alternately inhabited the worlds of light and darkness.
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About the Author
Mary Taylor Simeti is an American expert in Sicilian medieval and culinary history. Simeti’s book, On Persephone’s Island: A Sicilian Journal, chronicles a year on Sicily, the Mediterranean island that she called her permanent home after visiting for a year. Her other books include Pomp and Sustenance: Twenty-five Centuries of Sicilian Food, Sicilian Food: Recipes from Italy's Abundant Isle and more. She has also contributed numerous articles on Sicily to the New York Times’ travel section.
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Product details
Paperback: 329 pages
Publisher: Vintage; 1st Vintage Departures Ed edition (September 26, 1995)
Language: English
ISBN-10: 0679764143
ISBN-13: 978-0679764144
Product Dimensions:
5.2 x 0.8 x 8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
54 customer reviews
Amazon Best Sellers Rank:
#229,356 in Books (See Top 100 in Books)
I fouind much of this very slow-going and way too much detail to be an enjoyable read. I got lost in the multiple holidays, horticulture and the many family outings (this is why I prefer fiction often because a good writer deletes all the extraneous detail to get to the themes). HOWEVER, there was a revelation when I actually was in Sicily. The details did help me understand what I was seeing and what I was eating...down to the gelato on a brioche and the fried chickpea patties! So if you are planning to go to Sicily, this book will set the stage for a great visit.
I bought this book because I plan to travel to Sicily next spring and am currently reading up on it so that I have as much understanding about this fascinating place as one can gain from an armchair, and also to prepare me for the actual experience of going there.I was delighted to see that Mary Taylor Simeti had done a travelogue of Sicily, because I remembered her charming tale of Queen Constance and her various travels around Italy that I read some years ago. I was not disappointed in this book. Simeti plans her book around a year, starting with the old New Year that occurred November 1st, with the Feast of the Dead, and gradually working her way around the seasons so that the end of the book finished one year later.Although she spends much time discussing her garden and her various meanderings around the Sicilian countryside with her family, this book is also a snapshot of life in Sicily during 1982-1983. I was a young woman then, freshly married, and her vivid prose enabled me to go back in time nearly thirty years ago, to re-remember events that I had completely gotten, such as the Italian government's successful attempts to divert the lava flow of Mount Etna, so that it did not go into populated areas. (They did this using dynamite). But I loved this book because of Simeti's relentless quest for the shadow of Persephone and the Greek civilization that existed on Sicily so many years ago. Highly recommended. Four stars.
I found this book by looking at Amazon offerings about Sicily. I borrowed it through interlibrary loan and decided I must have it in my permanent collection. This book is a treasure. Yes, it's dated. It first came out in 1986. But much of what she wrote about is timeless. Her personal story is just a part of the book. Sicily is the focus. The knowledge she shares will help you understand the island if you're planning to visit. If you research her, you'll find out that she and her husband still make wine. She has had a remarkable life and I'm grateful that she shared her story with all of us.
The author paints a lovely portrait of what life is like for an American expatriate- who is also wife and mother- in Sicily.Every aspect of daily Sicilian life is recounted: the feasts and celebrations, the rural traditions, the city routines. Knowing Sicily well, I knew all these depictions to be true.I did feel that the book went on a bit too long, however, and seemed at times considerably repetitive and a bit too langorous. Yet the writing is beautiful and intelligent, and the writer is enjoying painting her Sicilian life in all its detail.Were it slightly more concise, it would be a perfect read!
A trip through the seasons of Sicily from the pen of an American expat married to a Sicilian landowner. Mary Taylor Semiti's writing is both erudite and intimate. I so looked forward to curling up with this book, and did my very best to make it last. Even if you have no plans to travel there, this book offers a close-up view of this ancient, magic island and the forces that made her the way she is. Highly recommend.
I was going to Sicily and this book was recommended to me. It far exceeded my expectations--so much so that now that I have spent time in Sicily I want to reread it. It is a well written account of an ex-patriate's life abroad. She is a very sensitive woman to all her surroundings.
I read this while preparing for a month-long solo exploration of Sicily and its ancient Greek sights. This really augmented my travel research by providing an on-the-ground eyes experience by an outsider/insider telling how she was able to transition from out to in.
Well written and informative
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